Excited that the RSC production of Timon of Athens is being mounted at Theater For A New Audience in Brooklyn and the Shakespeare Theatre Company, Washington DC.
Farewell to the Donmar
As I move on from the Donmar and Josie Rourke steps down as Artistic Director here are a few pictures from a selection of Donmar productions I’ve worked during my residency.
An amazing time with great people – wishing all at the Donmar the very best for the future.
[From top left to bottom right: Coriolanus, Berenice, Measure for Measure, Saint Joan, Philadelphia, Here I Come!, The Physicists, The Lady from the Sea, Les Liaisons Dangereuses, Trelawney of the Wells, The Recruiting Officer, Privacy and The Vote]
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Timon of Athens
Fun time scoring this production for the RSC with a wonderful cast and company led by the inimitable Kathryn Hunter. The score is available on CD, iTunes and Spotify and the show will be coming to a cinema near you soon.
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Measure for Measure
Thrilled to score this production at the Donmar, starring Hayley Atwell and Jack Lowden and directed by Josie Rourke.
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Antony and Cleopatra
Next up I’m scoring the National Theatre’s production of Antony and Cleopatra in the Olivier Theatre, with Ralph Fiennes and Sophie Okonedo – previews start on 18th September.
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The Importance of Being Earnest
I’ve been busy developing some new musical theatre projects for the last six months, but I’m excited to score several plays this summer. First off is Classic Spring’s production of The Importance of Being Earnest, directed by Michael Fentiman, playing at the Vaudeville Theatre in the West End. Previewing from 20th July.
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The Lady from the Sea
A joy working on this brilliant play in a new version by Elinor Cook, directed by Kwame Kwei-Armah, at the Donmar.
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