So thrilled and proud that The Illusionist has its world premiere today, and grateful to everyone who as put so much into bringing it to the stage. All the details here and follow the latest on Twitter and Instagram.
So excited to announce a new musical, based on the film The Illusionist. The book is by Peter Duchan, and music and lyrics by me. Its world premiere is happening in Tokyo at the end of 2020/start of 2021, directed by Thom Southerland. All the details here.
Excited that the RSC production of Timon of Athens is being mounted at Theater For A New Audience in Brooklyn and the Shakespeare Theatre Company, Washington DC.
As I move on from the Donmar and Josie Rourke steps down as Artistic Director here are a few pictures from a selection of Donmar productions I’ve worked on during my residency.
An amazing time with great people – wishing all at the Donmar the very best for the future.
[From top left to bottom right: Coriolanus, Berenice, Measure for Measure, Saint Joan, Philadelphia, Here I Come!, The Physicists, The Lady from the Sea, Les Liaisons Dangereuses, Trelawney of the Wells, The Recruiting Officer, Privacy and The Vote]
Thrilled to score this production at the Donmar, starring Hayley Atwell and Jack Lowden and directed by Josie Rourke.
Next up I’m scoring the National Theatre’s production of Antony and Cleopatra in the Olivier Theatre, with Ralph Fiennes and Sophie Okonedo – previews start on 18th September.
I’ve been busy developing some new musical theatre projects for the last six months, but I’m excited to score several plays this summer. First off is Classic Spring’s production of The Importance of Being Earnest, directed by Michael Fentiman, playing at the Vaudeville Theatre in the West End. Previewing from 20th July.
A joy working on this brilliant play in a new version by Elinor Cook, directed by Kwame Kwei-Armah, at the Donmar.
Currently writing the score for Twelfth Night at the National Theatre – performances start on 15th February in the Olivier Theatre.